Lollipop chainsaw crossover movie#

Much of the enemies' trash talk is based around her gender. It's a pretty clear and obvious metaphor, but it shows that the developers at Grasshopper Manufacture were at least trying to say something.īut then there's the rest of the game: monsters and friends alike are constantly telling Juliet how much they'd like to have sex with her there's a particularly disconcerting moment where someone she saves tells her that he's going to masturbate to her later. The words appear in the air and come at her, harming her if they get too close. In the fight with the boss Zed, he flings sexist and insulting language at Juliet, literally. There's a moment that strikes me as showing the potential that Lollipop Chainsaw had.

And I think they had every intention of making it so, they just didn't quite pull it off. They had created a world and a space in which that sort of base humor could have proven to be provocative. That's why I was so disappointed in Lollipop Chainsaw. It has to point out an absurdity in our culture, whether that be the way we perceive sex or the way women characters are treated in games. But that crudeness has to serve a purpose. Instead, we get the same old tired jokes about sexuality that we've been hearing for years and years.%Gallery-130904%Here's the thing: Crude humor is A-OK to me. In a gaming landscape that involves a whole lot of problematic images of women, pointing out the absurdity of these portrayals could have been something incredibly valuable. Here's a clearly over-sexualized young woman, carrying a massive chainsaw, and essentially dehumanizing her male counterpart.īut it never quite makes the turn that satire must make to work. It's an undeniably silly image, and one that seems to be making fun of the roles women traditionally inhabit in games. Just take a look at the cover: a scantily clad young woman carrying around a chainsaw while the head of her boyfriend hangs off her belt. The game itself obviously doesn't take itself seriously. These are guys experienced in making weird, hilarious stuff.

Lollipop chainsaw crossover movie#

It was also penned by James Gunn, who has made his career mocking movie tropes with films like Dawn of the Dead, Super, and the vastly underrated Slither. First off, it's a Suda51 joint, meaning it has a certain lighthearted over-the-top attitude that lends itself well to parody. On its face, Lollipop Chainsaw has all the makings of a solid parody title. And in the case of Lollipop Chainsaw, it's absolutely applicable. It was designed to relate to extremist ideologies like those of the Westboro Baptist Church, but the idea can be extrapolated to just about any attempt at satire. Basically, it states that if a satirical piece is indistinguishable from the subject it is trying to mock, then it's a failure. There's an idea on the Internet called Poe's Law.